Pacita Abad

From Doro Wat to Sushi and Chicken Wings and Tings

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Pacita Abad, From Doro Wat to sushi and chicken wings and things, 1991, Acrylic, oil, painted canvas, plastic buttons, beads on stitched and padded canvas, 239.5 x 177 cm. Image courtesy of Max Maclure. Art Jameel Collection

Artwork Details

Artist

Pacita Abad

Title

From Doro Wat to Sushi and Chicken Wings and Tings

Date

1991

Medium

Acrylic, oil, painted canvas, plastic buttons, beads on stitched and padded canvas

Dimensions

239.5 x 177 cm

Credit Line

Art Jameel Collection

Work Description

Abad’s friend Hadiatou is the subject of From Doro Wat to Sushi and Chicken Wings and Tings (1991). An undocumented immigrant from West Africa, Hadiatou opened a small eatery together with friends to make ends meet. Here she occupies the centre of the canvas, surrounded by scenes from various points in her life, as well as signage for food and restaurants in Washington D.C. The work’s title evokes the residue of waves of migration on the North American palate and hints at the entrepreneurial spirit and cosmopolitanism necessary to survive and thrive as a newcomer.

Artist Biography

Born in Batanes, the Philippines, in 1946, Pacita Abad studied painting at the Corcoran School of Art in Washington, D.C. and the Arts Student League in New York. Her work has been featured in numerous solo exhibitions including: Life in the Margins, Spike Island, Bristol (2020); Pacita Abad: A Million Things to Say, Museum of Contemporary Art and Design, Manila (2018); Circles in My Mind, Singapore Tyler Print Institute, Singapore (2003); Exploring the Spirit, National Gallery of Indonesia, Jakarta (1996); The American Dream, National Museum for Women in the Arts, Washington D.C. (1994); Masks from Six Continents, Metro Art Center, Washington D.C. (1990).

Group exhibitions include: Minds Rising, Spirits Tuning, 13th Gwangju Biennial (2021); SWEAT, Haus der Kunst, Munich (2021); Whose Tradition?, Tate Liverpool (2021); The Crack Begins Within, 11th Berlin Bienniale for Contemporary Art (2020); Asia/America: Identities in Contemporary Asian American Art, a travelling exhibition organised by the Asia Society, New York (1996); Beyond the Border: Art by Recent Immigrants, Bronx Museum of the Arts, New York (1994); La Segunda Bienal de la Habana (1986); and the 2nd Asian Art Show, Fukuoka Art Museum (1985).

Her work can be found in the collections of Tate Modern, London; The National Museum of Women in the Arts, Washington D.C.; M+ Museum, Hong Kong; Art Jameel, Dubai and the National Gallery of Singapore.

She died in Singapore in 2004.

A specially produced publication featuring newly commissioned texts, visuals and an extensive interview is available at the Art Jameel Shop, onsite and online.