Vikram Divecha, Road Marking, 2017, Thermoplastic paint and reflective glass particles on grey boards, Dimensions variable. Art Jameel Collection. Photo courtesy of the artist and Gallery Isabelle van den Eynde.

Vikram Divecha

Road Marking

Akram Zaatari

An extraordinary event

Khalil Rabah

Untitled (All is well)

Taysir Batniji - To My Brother

Taysir Batniji

To My Brother

Lawrence Abu Hamdan - This Whole Time There Were No Landmines, 2017 - Courtesy of the artist

Lawrence Abu Hamdan

This Whole Time There Were No Landmines

Hassan Khan

Composition for a Public Park

Lara Favaretto, Blue Velvet, 2018, Dimensions variable. Art Jameel Collection. Photo courtesy of Brent Galotera

Lara Favaretto

Blue Velvet

Seher Shah, Emergent Structures: Relative Noise, Planar Landscape and Capital Mass, 2011, Graphite and Gouache on paper, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Seher Shah

Emergent Structures: Relative Noise, Planar Landscape and Capital Mass

Mounira Al Solh, Sama/Ma’as – Helim/Melh (Dream/Salt), 2017, Double sided patchwork textile curtain, 280 x 236 cm. Art Jameel Collection. Photo by Mohamed Somji

Mounira Al Solh

Sama/Ma’as – Helim/Meleh (Dream/Salt)

Mounira Al Solh, Sama/Ma’as - Bahr/Harb (Sea/War), 2014, Double sided patchwork textile curtain, 270 x 254 cm. Art Jameel Collection. Photo by Mohamed Somji.

Mounira Al Solh

Sama/Ma’as - Bahr/Harb (Sera/Wa)

 Mounira Al Solh, My specialty was to make a peasants’ haircut, but they obliged me work till midnight often, 2017, Hand and machine-stitched embroideries, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Mounira Al Solh

My specialty was to make a peasants’ haircut, but they obliged me work till midnight often

Maha Malluh, Food for Thought 7100, 2012, Cassette tapes and woode,, 60 x 110 x 10 cm (each). Art Jameel Collection. Photo by Mohamed Somji.

Maha Malluh

Food for Thought 7100

Maha Malluh, Food for Thought Al-Muallaqat 4, 2016, Aluminum pots, 400 x 1400 cm. Art Jameel Collection. Photo by Mohamed Somji

Maha Malluh

Food for Thought, Al-Muallaqat 4

Walead Beshty, Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV, 2006, Black and white fiber-based photographic paper, 61 x 50.8 cm, Art Jameel Collection. Photo courtesy of the artist.

Walead Beshty

Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV

Zahrah Al Ghamdi, Mycelium Running, 2019, Natural leather, Dimension variable. Art Jameel Collection. Photo courtesy of the artist and Athr Gallery.

Zahrah Al Ghamdi

Mycelium Running

Mohammed Kazem, Acrylic on Scratched Paper, 2013, Pink ink on scratched paper, 30.48 x 22.86 cm (each), Art Jameel Collection. Photograph courtesy of the artist and Gallery Isabelle van den Eynde.

Mohammed Kazem

Acrylic on Scratched Paper

Moffat Takadiwa, Second Hand Information, 2014, Computer Keys, 220 x 171 x 23 cm. Art Jameel Collection. Photograph courtesy of the artist and Vigo Gallery.

Moffat Takadiwa

Second Hand Information

Mario García Torres, I was actually thinking of someone else, n.d., Arabic gum, water, vinegar, honey and titanium white powder on cotton canvas, 147.5 x 144.3 x 3 cm, Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Mario García Torres

I was actually thinking of someone else

Mario García Torres, For the sake of the exhibition, n.d., Water-based paint, varnish, titanium white powder, yolk, vinegar, Arabic gum and honey on cotton canvas, 147.5 x 144.3 x 3 cm. Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Mario García Torres

For the sake of the exhibition

Keita Miyazaki, Barren Land, 2018, Car parts and paper, 190 x 118 x 38 cm. Art Jameel Collection. Image courtesy of the artist and Rosenfeld Porcini Gallery.

Keita Miyazaki

Barren Land

Caption – Jason Dodge, Darkness Falls on 6a Manik Bungalow Om Siddharal society Hrishiwan Borivali east Mumbai 400066. Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Jason Dodge

Darkness Falls on 6a Manik Bungalow Om Siddharal society Hrishiwan Borivali east Mumbai 400066

caption missing

Monira Al Qadiri

Behind the Sun

Rayyane Tabet, Steel Rings (from the series The Shortest Distance Between Two Points), 2013, Rolled and engraved steel, 10 x 78 cm (diameter). Art Jameel Collection. Photo by Mohamed Somji.

Rayyane Tabet

Steel Rings (from the series The Shortest Distance Between Two Points)

Shaikha Al Mazrou, Interior yet Exterior, Manmade yet Natural, 2018, Tempered glass, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Shaikha Al Mazrou

Interior yet Exterior, Manmade yet Natural

Alia Farid and Aseel AlYaqoub, Contrary Life: A Botanical Light Garden Devoted to Trees, 2018, Plastic, metal, light bulbs and electrical wire. Art Jameel Collection: Art Jameel Commission 2018. Photo by Mohamed Somji.

Alia Farid & Aseel Alyaqoub

Contrary Life: A Botanical Light Garden Devoted to Trees

Abbas Akhavan, Study for a Garden, 2017, Bronze and gold leaf, Dimensions variable. Art Jameel Collection. Photo courtesy by the artist and The Third Line Gallery, Dubai.

Abbas Akhavan

Study for a Garden

Doa Aly, Drawing #128, 2018, Pencil on cotton paper, 95 x 60 cm. Art Jameel Collection. Photo courtesy of the artist and The Gypsum Gallery.

Doa Aly

Drawing #128

Doa Aly, Drawing #126, 2018, Pencil on cotton paper, 95 x 60 cm. Art Jameel Collection. Photo courtesy of the artist and The Gypsum Gallery.

Doa Aly

Drawing #126

Diana Al-Hadid, The Falcon and The Bandit, 2017, Polymer gypsum, fiberglass, steel, plaster, copper leaf, gold leaf, painter’s tape and pigment, 274.3 x 213.4 x 14 cm, Art Jameel Collection. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. Photo courtesy of Object Studies.

Diana Al-Hadid

The Falcon and The Bandit

Cinthia Marcelle, Chapter 6 (from the Secession Series: The Tempest), 2018, Cretacolour Monlith 6B Graphite pencil, offset 63 gr paper , 33 x 27 cm (each). Art Jameel Collection. Photo courtesy of the artist and Vermelho Gallery.

Cinthia Marcelle

Chapter 6 (from the Secession Series: The Tempest)

Bita Ghezelayagh, Talismanic Fragments, 2014, Felt, carpet, wire, screws, silken thread, old pen nibs and iron, 113 x 113 cm. Art Jameel Collection. Photo courtesy of the artist.

Bita Ghezelayagh

Talismanic Fragments

Azade Kӧker, Istanbul I, 2013, Mixed media on canvas, 170 x 250 cm. Art Jameel Collection. Photograph courtesy of the artist and The Zilberman Gallery.

Azade Kӧker

Istanbul I

Monira Al Qadiri

Flower Drill

Slavs and Tatars, PraySway (brown), 2015, Steel, poplar wood and rope, 370 x 77 x 14 cm. Art Jameel Collection. Photo by David von Becker.

Slavs and Tatars

PraySway (brown)