Vikram Divecha, Road Marking, 2017, Thermoplastic paint and reflective glass particles on grey boards, Dimensions variable. Art Jameel Collection. Photo courtesy of the artist and Gallery Isabelle van den Eynde.

Vikram Divecha

Road Marking

Akram Zaatari

An extraordinary event

Khalil Rabah

Untitled (All is well)

Lubna Chowdhary

Metropolis

Taysir Batniji - To My Brother

Taysir Batniji

To My Brother

Lawrence Abu Hamdan - This Whole Time There Were No Landmines, 2017 - Courtesy of the artist

Lawrence Abu Hamdan

This Whole Time There Were No Landmines

Hassan Khan

Composition for a Public Park

Caption – Lala Rukh, Rupak, 2016, Video, 6’ 12’’, Art Jameel Collection. Photo by Mohamed Somji.

Lala Rukh

Rupak

Hemali Bhuta, Fold, 2016, Latex rubber and silicon rubber, 185 x 102 x 17.5 cm. Art Jameel Collection. Photo by Mohamed Somji.

Hemali Bhuta

Fold

Lara Favaretto, Blue Velvet, 2018, Dimensions variable. Art Jameel Collection. Photo courtesy of Brent Galotera

Lara Favaretto

Blue Velvet

Seher Shah, Emergent Structures: Relative Noise, Planar Landscape and Capital Mass, 2011, Graphite and Gouache on paper, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Seher Shah

Emergent Structures: Relative Noise, Planar Landscape and Capital Mass

Mounira Al Solh, Sama/Ma’as – Helim/Melh (Dream/Salt), 2017, Double sided patchwork textile curtain, 280 x 236 cm. Art Jameel Collection. Photo by Mohamed Somji

Mounira Al Solh

Sama/Ma’as – Helim/Meleh (Dream/Salt)

Mounira Al Solh, Sama/Ma’as - Bahr/Harb (Sea/War), 2014, Double sided patchwork textile curtain, 270 x 254 cm. Art Jameel Collection. Photo by Mohamed Somji.

Mounira Al Solh

Sama/Ma’as - Bahr/Harb (Sera/Wa)

Mounira Al Solh, My specialty was to make a peasants’ haircut, but they obliged me work till midnight often, 2017, Hand and machine-stitched embroideries, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Mounira Al Solh

My specialty was to make a peasants’ haircut, but they obliged me work till midnight often

Maha Malluh, Food for Thought 7100, 2012, Cassette tapes and woode,, 60 x 110 x 10 cm (each). Art Jameel Collection. Photo by Mohamed Somji.

Maha Malluh

Food for Thought 7100

Maha Malluh, Food for Thought Al-Muallaqat 4, 2016, Aluminum pots, 400 x 1400 cm. Art Jameel Collection. Photo by Mohamed Somji

Maha Malluh

Food for Thought, Al-Muallaqat 4

Conrad Shawcross, Formation III: The Dappled Light of the Sun, 2015, Weathering Steel, 792.1 x 792.1 x 475 cm, Art Jameel Collection

Conrad Shawcross

Formation III: The Dappled Light of the Sun

Anup Mathew Thomas, Nurses, 2014, C-print, Diasec and books, 60 x 80 cm each (48 photographs). Courtesy of the artist. Photo by Daniel Baptista. Art Jameel Collection

Anup Mathew Thomas

Nurses

Joana Hadjithomas and Khalil Joreige, A Letter Can Always Reach its Destination, 2012, HD video and hologram screen, 122 mins. Courtesy of the artists and Jean Brasille. Art Jameel Collection

Joana Hadjithomas and Khalil Joreige

A Letter Can Always Reach its Destination

Shilpa Gupta, Untitled, 2018, Tracings on paper, wood and printed text. 30,5 x 3 x 22 cm each. Courtesy of the artist. Art Jameel Collection

Shilpa Gupta

Untitled

Pacita Abad, From Doro Wat to sushi and chicken wings and things, 1991, Acrylic, oil, painted canvas, plastic buttons, beads on stitched and padded canvas, 239.5 x 177 cm. Image courtesy of Max Maclure. Art Jameel Collection

Pacita Abad

From Doro Wat to Sushi and Chicken Wings and Tings

Hicham Benohoud, The Classroom, 1994-2002, Gelatin silver print on paper mounted on aluminium, 50 x 60 cm. Courtesy of the artist and Loft Gallery. Art Jameel Collection.

Hicham Benohoud

The Classroom

Sreshta Rit Premnath , Recto/Verso , 2017, Digital print on aluminium, 61 x 76 cm. Courtesy of the artist. Art Jameel Collection

Sreshta Rit Premnath

Recto/Verso

Sreshta Rit Premnath , The Law of Identity (detail of #1), 2017, Rose pigment, Chroma key paint, ruler, pencil on paper, 22.8 x 30.5 x 182.8 cm. Courtesy of the artist. Art Jameel Collection

Sreshta Rit Premnath

The Law of Identity #1, #2, #3 and #4

Do Ho Suh, Rubbing/Loving, STPI, Artist Studio 38, 41 Robertson Quay, Singapore, 238236, 2017, Pastel on paper, 66 x 73.5 x 7 cm. Copyright: the artist. Image courtesy of the artist and Victoria Miro Gallery. Art Jameel Collection

Do Ho Suh

Rubbing/Loving, STPI, Artist Studio 38, 41 Robertson Quay, Singapore, 238236

Do Ho Suh, Rubbing / Loving, STPI, Artist Studio 41, 41 Robertson Quay, Singapore, 238236, 2017, Pastel on paper, 71 x 54 x 13.5 cm. Copyright: the artist. Image courtesy of the artist and Victoria Miro Gallery. Art Jameel Collection

Do Ho Suh

Rubbing / Loving, STPI, Artist Studio 41, 41 Robertson Quay, Singapore, 238236

Hrair Sarkissian , Background, 2013, Duratrans prints, 180 x 230 cm (series of 6). Courtesy of the artist. Art Jameel Collection

Hrair Sarkissian

Background

Jason Dodge, In Abu Dhabi, Fatimah Al Mansoori wove yarn the colour of night and length from the earth to above the weather, Wool and rope. Courtesy of the artist. Art Jameel Collection

Jason Dodge

In Abu Dhabi, Fatimah Al Mansoori wove yarn the colour of night and length from the earth to above the weather

Jason Dodge, In Al Jouf, Saudi Arabia, Minwah Hneif AI-Ruwaili and Shiqyah AI­Ruwaili wove a measurement of yarn that is the distance between the earth and above the weather, Wool and rope. Courtesy of the artist. Art Jameel Collection

Jason Dodge

In Al Jouf, Saudi Arabia, Minwah Hneif AI-Ruwaili and Shiqyah AI­Ruwaili wove a measurement of yarn that is the distance between the earth and above the weather

Yto Barrada, Lyautey Unit Blocks, 2010, Wood and paint, Dimensions variable. Image courtesy of the artist and Sfeir-Semler Gallery Beirut / Hamburg. Art Jameel Collection

Yto Barrada

Lyautey Unit Blocks

Pacita Abad, Filipinas in Hong Kong, 1995, Acrylic on stitched and padded canvas, 270 x 300 cm. Image courtesy of Max Maclure. Art Jameel Collection

Pacita Abad

Filipinas in Hong Kong

Sancintya Mohini Simpson, Jahajin, 2021, Watercolour and gouache on handmade wasli paper, 63 x 88 cm each (9 parts). Courtesy of the artist. Art Jameel Collection

Sancintya Mohini Simpson

Jahajin

Munem Wasif, Seeds Shall Set Us Free II, 2021, Cyanotype prints, Inkjet prints, drawings (via photographs), dimensions variable. Courtesy of the artist. Art Jameel Collection

Munem Wasif

Seeds Shall Set Us Free II

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, Single-channel HD video, sound, colour, 18 mins. Image courtesy of the artist. Art Jameel Collection

Hiwa K

Pre-Image (Blind as the Mother Tongue)

Samson Young, Unfinished Spaces, 2021, Pen and pencil on paper, 10 x 15 cm each (series of 10). Image courtesy of Daniela Baptista. Art Jameel Collection

Samson Young

Unfinished Spaces

Alejandro Sánchez, Sobre Cupo Hapag Wood, 2020, Wood, plastic, metal and acrylic paint, 35 x 50 x 12 cm. Image courtesy of Galeria La Cometa. Art Jameel Collection

Alejandro Sánchez

Sobre Cupo Hapag Wood

Adel Abdessemed, Klan, 2007, Felt, aluminium and fiberglass plane noses, 96 x 120 x 127 cm, Art Jameel Collection.

Adel Abdessemed

Klan

Walead Beshty, Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV, 2006, Black and white fiber-based photographic paper, 61 x 50.8 cm, Art Jameel Collection. Photo courtesy of the artist.

Walead Beshty

Fold (45º directional light source), December 22, 2006, Santa Clarita, California, Ilford Multigrade Fiber IV

Zahrah Al Ghamdi, Mycelium Running, 2019, Natural leather, Dimension variable. Art Jameel Collection. Photo courtesy of the artist and Athr Gallery.

Zahrah Al Ghamdi

Mycelium Running

Mohammed Kazem, Acrylic on Scratched Paper, 2013, Pink ink on scratched paper, 30.48 x 22.86 cm (each), Art Jameel Collection. Photograph courtesy of the artist and Gallery Isabelle van den Eynde.

Mohammed Kazem

Acrylic on Scratched Paper

Moffat Takadiwa, Second Hand Information, 2014, Computer Keys, 220 x 171 x 23 cm. Art Jameel Collection. Photograph courtesy of the artist and Vigo Gallery.

Moffat Takadiwa

Second Hand Information

Mario García Torres, I was actually thinking of someone else, n.d., Arabic gum, water, vinegar, honey and titanium white powder on cotton canvas, 147.5 x 144.3 x 3 cm, Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Mario García Torres

I was actually thinking of someone else

Mario García Torres, For the sake of the exhibition, n.d., Water-based paint, varnish, titanium white powder, yolk, vinegar, Arabic gum and honey on cotton canvas, 147.5 x 144.3 x 3 cm. Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Mario García Torres

For the sake of the exhibition

Keita Miyazaki, Barren Land, 2018, Car parts and paper, 190 x 118 x 38 cm. Art Jameel Collection. Image courtesy of the artist and Rosenfeld Porcini Gallery.

Keita Miyazaki

Barren Land

Caption – Jason Dodge, Darkness Falls on 6a Manik Bungalow Om Siddharal society Hrishiwan Borivali east Mumbai 400066. Art Jameel Collection. Photo by Sebastiano Pellion di Persano.

Jason Dodge

Darkness Falls on 6a Manik Bungalow Om Siddharal society Hrishiwan Borivali east Mumbai 400066

Haig Aivazian, Tiles, 2016, Graphite on paper, Dimensions variable. Art Jameel Collection. Photo courtesy of the artist and Sfeir-Semler Gallery.

Haig Aivazian

Tiles

Monira Al Qadiri, OR-BIT 1, 2016, 3D printed plastic sculpture, automotive paint and levitation module, 20 x 30 x 20 cm, Art Jameel Collection. Photo by Mohamed Somji.

Monira Al Qadiri

OR-BIT 1

caption missing

Monira Al Qadiri

Behind the Sun

Rayyane Tabet, Steel Rings (from the series The Shortest Distance Between Two Points), 2013, Rolled and engraved steel, 10 x 78 cm (diameter). Art Jameel Collection. Photo by Mohamed Somji.

Rayyane Tabet

Steel Rings (from the series The Shortest Distance Between Two Points)

Shaikha Al Mazrou, Interior yet Exterior, Manmade yet Natural, 2018, Tempered glass, Dimensions variable. Art Jameel Collection. Photo by Mohamed Somji.

Shaikha Al Mazrou

Interior yet Exterior, Manmade yet Natural

Alia Farid and Aseel AlYaqoub, Contrary Life: A Botanical Light Garden Devoted to Trees, 2018, Plastic, metal, light bulbs and electrical wire. Art Jameel Collection: Art Jameel Commission 2018. Photo by Mohamed Somji.

Alia Farid & Aseel Alyaqoub

Contrary Life: A Botanical Light Garden Devoted to Trees

Fayçal Baghriche, Souvenir, 2012, Steel, plexiglass, motor and wood, 75 x 48 cm diameter. Art Jameel Collection. Photo courtesy of the artist and Galerie Jérôme Poggi, Paris.

Fayçal Baghriche

Souvenir

Abbas Akhavan, Study for a Garden, 2017, Bronze and gold leaf, Dimensions variable. Art Jameel Collection. Photo courtesy by the artist and The Third Line Gallery, Dubai.

Abbas Akhavan

Study for a Garden

Doa Aly, Drawing #128, 2018, Pencil on cotton paper, 95 x 60 cm. Art Jameel Collection. Photo courtesy of the artist and The Gypsum Gallery.

Doa Aly

Drawing #128

Doa Aly, Drawing #126, 2018, Pencil on cotton paper, 95 x 60 cm. Art Jameel Collection. Photo courtesy of the artist and The Gypsum Gallery.

Doa Aly

Drawing #126

Diana Al-Hadid, The Falcon and The Bandit, 2017, Polymer gypsum, fiberglass, steel, plaster, copper leaf, gold leaf, painter’s tape and pigment, 274.3 x 213.4 x 14 cm, Art Jameel Collection. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. Photo courtesy of Object Studies.

Diana Al-Hadid

The Falcon and The Bandit

Cinthia Marcelle, Chapter 6 (from the Secession Series: The Tempest), 2018, Cretacolour Monlith 6B Graphite pencil, offset 63 gr paper , 33 x 27 cm (each). Art Jameel Collection. Photo courtesy of the artist and Vermelho Gallery.

Cinthia Marcelle

Chapter 6 (from the Secession Series: The Tempest)

Bita Ghezelayagh, Talismanic Fragments, 2014, Felt, carpet, wire, screws, silken thread, old pen nibs and iron, 113 x 113 cm. Art Jameel Collection. Photo courtesy of the artist.

Bita Ghezelayagh

Talismanic Fragments

Azade Kӧker, Istanbul I, 2013, Mixed media on canvas, 170 x 250 cm. Art Jameel Collection. Photograph courtesy of the artist and The Zilberman Gallery.

Azade Kӧker

Istanbul I

Monira Al Qadiri

Flower Drill

Slavs and Tatars, PraySway (brown), 2015, Steel, poplar wood and rope, 370 x 77 x 14 cm. Art Jameel Collection. Photo by David von Becker.

Slavs and Tatars

PraySway (brown)